Christmas holly
with KATHARINE AMIES
Lesson 16 of 16
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A botanical painting of a festive specimen can make for a beautifully personal Christmas card, or a cherished gift for a loved one. In this lesson, Katharine shows you how to approach painting a sprig of holly.
From the Lesson Workbook
Christmas Holly
Choosing a festive specimen to paint botanically can make for a wonderful Christmas card, or even a gift for a loved one. In this lesson, I'll be showing you how to approach painting a sprig of holly.
Tips for Painting Christmas Holly
- Select a specimen that has a pleasing shape, really spiky leaves, and that you're able to lay in a nice composition you can paint.
- When drawing the leaves, first sketch the midrib and then each side of the leaf. Don't worry too much about it looking like a leaf, just draw the shape you can see.
- Holly leaves are exceptionally shiny - this can be represented by contrasting the white of the shine with a really dark green.
- You often get pops of red reflected in the leaves, and this is a great detail to add in to make your painting feel even more realistic.
- Red can overlay the dark green to create beautifully dramatic areas of almost black in the darkest sections of the leaves.
- Introducing subtle hints of Cerulean Blue is a great way to intensify and accentuate the white shine.
- Try using a touch of green to create the shadows on the underside of the berries.
- You can also use red to add depth to the stalk.
What You Will Need
- Paper
- Pencil
- A sprig of holly
- Putty rubber
- Divider
- Acrylic brushes in size 3
- I use the Da Vinci Nova 5570
- Slightly old and worn out brushes for mixing paint colours
- Jar of water
- Watercolour paints
- I am using Prussian Blue, Aureolin Yellow, Permanent Alizarin Crimson and Cerulean Blue, all from the Winsor & Newton Professional watercolour range in the half-pan size.
- Ceramic palette
- Kitchen towel
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Katharine Amies
Leading British botanical artist
Katharine Amies is a leading British botanical artist. Katharine's work seeks to capture the intimate essence of plants in a manner that photographs, despite their detail, fail to convey. Katharine trained at the Chelsea Physic Garden in 2000. Her work is represented in the Shirley Sherwood Collection of Botanical Art at Kew Gardens which is the largest collection of contemporary botanical art in the world.
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