Very good tutorial from a professional garden...
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
with KATHARINE AMIES — Leading British botanical artist
Often found on fruits such as grapes, plums and figs, bloom is a whitish coating that the plant produces to protect the fruit as it ripens. Katharine shares with you the technique she uses to communicate this effect.
Often found on fruits such as grapes, plums and figs, bloom is a whitish coating that the plant produces to protect the fruit as it ripens. In this lesson, I share with you the technique I use to communicate this effect.
Draw the bunch of grapes. When you're happy, gently rub away your pencil marks so that you're left with a faint outline. Your specimen will most likely present you with a fair few grapes overlapping, which you may want to approach slightly differently.
Choose your colours, beginning with the palest shade you can see and working through the spectrum to the darkest. You may need to mix a green using yellow and blue, as well as a pink with orange to achieve a peachy colour.
Apply your palest colour all over each grape, being careful not to use too much water.
Turn your attention to the stalk, and apply a pale wash of green as the base.
Going back to your grapes, begin building up the colours you can see working from lightest to darkest. As in our previous lessons together, think about your highlight zones and areas of shadow.
Move between different grapes and the stalk as you wait for areas to dry, slowly building up the layers of colour to create the illusion of form.
Once you're completely happy with the colours in your painting and it's almost finished, you're ready to add the bloom. The white gouache paint shows up particularly well against dark areas, so go over your painting and consider if there's any areas you can increase the darkness a little.
Dispense the white gouache paint onto your ceramic palette, and dip your brush into it; we will be using it as a sort of glaze, so you only need a very tiny amount on your brush.
Add a light covering of the paint to the areas of your grape where you can see the bloom - it's often patchy and random, so try to represent this on your painting for a realistic effect.
When you are finished adding the white gouache, go back in very delicately with some darker paint to edge the zones of bloom and really make it stand out.
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437 reviews
Read moreI have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an ...
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagi...
sojojo
Mar 30, 2026
I loved this course with Amanda Lindroth! Her approach to decorating is so relaxed and she makes it feel attainable. She explains the reasons behind her decisions...
Elizabeth
Mar 27, 2026
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She has a lovely personality and comes across as ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an absolute must, best I've ever done.
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagination on TV to learning and expanding my kno...
sojojo
Mar 30, 2026
Your Instructor
Leading British botanical artist
Katharine Amies is a leading British botanical artist. Katharine's work seeks to capture the intimate essence of plants in a manner that photographs, despite their detail, fail to convey. Katharine trained at the Chelsea Physic Garden in 2000. Her work is represented in the Shirley Sherwood Collection of Botanical Art at Kew Gardens which is the largest collection of contemporary botanical art in the world.
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