with FREYA BRAMBLE-CARTER
Lesson 7 of 9
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With the body complete, it’s time to build the neck - the expressive finishing touch. Freya shares how to refine the profile, adjust the shape, and let your personality come through in the final form.
We're entering the final stretch of our vase-building and shaping the neck. It's where your piece starts to speak, to express its energy and character. Now's the time to infuse your pot with meaning and movement.
After a break, I always check the moisture level of the top coil. If it's gone a bit stiff (heading into leather-hard), I soften it before adding more coils:
Before closing off the neck, check your shape one last time. Now that the clay is firmer, you can apply more pressure to stretch or adjust without it collapsing. I often use my knuckle on the inside to do this.
This is a great moment to refine the profile:
I think of this stage as a gentle combing-through - your tools, your fingers, your presence slowly refining the clay. If done with care, it can look as if the pot's been thrown on a wheel.
Time to go up. You can:
Important: Make sure the base of the neck is firm and thick enough. This area and just below it are prone to collapsing if they're too soft or thin.
When adding water, use just enough - too much and it'll drip down and weaken areas you want to stay strong. Keep the neck tall and expressive, and let the form flow naturally.
This is where the meaning comes in. For me, this open neck symbolises:
But your form might do something else entirely:
Let your personality come through. Allow for little imbalances and imperfections. They make the piece more alive.
Clay forgives. If something collapses a bit, don't panic - reshape, resmooth, keep going.
As you finish shaping, think about this:
Clay reminds me that we can reshape life - soften what's stiff, rebuild what's collapsed, and keep forming something beautiful.
This coiling technique is as powerful for beginners as it is for experienced potters. The more you practise, the more your ideas and your skills develop together. There's always more to discover.
At this point, I'll let the pot dry a little before finishing the top. I might add a few final coils, smooth it out, and next, we'll start to decorate and paint.
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Your Instructor
Contemporary ceramicist
Freya is a ceramicist based in East London. She studied fine art at Chelsea College of Arts while also learning the craft of clay under the guidance of her father, Chris Bramble, a ceramic artist and teacher with over 30 years of experience with whom she shares studio space at Kingsgate Workshops in London. Freya creates tableware as well as larger sculptural vases. Her work incorporates contemporary designs, strongly inspired by the ethos of beauty and nature.
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