Painting your vase
with FREYA BRAMBLE-CARTER
Lesson 8 of 9
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Now for colour and character. Freya demonstrates how to prep, paint, and varnish your vase using acrylics, turning it into a piece of art that reflects your style and imagination.
From the Lesson Workbook
Painting Your Vase
Now we get to paint! This part's all about play, creativity and personality. You're turning your clay vessel into a piece of art that reflects you - your imagination, your colours, your energy. It's where it all comes alive.
You will need:
- Smooth kidney
- Acrylic paints
- Gloss or matte varnish
- Galeria gloss varnish
- Paint pens
Surface Prep
At this point, your vase should be leather hard - firm but not bone dry. It should feel like hard cheese - you can press your nail in, but it holds its shape. This is the ideal stage for:
- smoothing with a metal or rubber kidney
- filling holes or cracks with soft clay and a little water
- adding sculptural decoration (if you want raised details).
If you want a super smooth, polished finish, take your time here. Use a damp sponge, metal scraper, or even a spoon to burnish and soften the surface.
The Painting Process
We're using acrylic paint for this. You don't need a kiln or glaze - this method works for those making at home with air-dry or non-fired clay.
Here's how I paint
- Base layer: A full coat of white acrylic - this helps the colours pop and adds a first layer of sealant.
- Coloured layers: Paint your design in layers. I use light colours first, then layer darker ones over.
- Varnish: Apply a few coats of gloss or matte varnish to waterproof your vase. It's essential if you plan to put water in it.
You can get creative here - there are loads of brilliant paint pens and tools out there too.
Tips for waterproofing:
- paint the inside and the base - these are easy to forget
- use multiple varnish coats if you want to hold water inside the pot
- let each layer dry completely before adding another.
Acrylic dries fast, so it's great for blending if you work quickly - use a bit of water to help smooth transitions or make a wash.
The paint becomes your glaze, your design, and your protection all at once.
Colour and Flow
When I paint, I let the form lead the flow of the colour. For example:
- I might give the rim a darker tone to frame the vase - it's like the "mouth" of the piece
- I'll let the colour move around the curves - darker in some spots, lighter in others.
You can be bold or subtle - it's your call. For this vase, I'm blending red into pink inside, and then fading through greens and blues on the outside - soft, organic, nature-inspired.
Follow the shape. Let the paint dance with the form.
No Rules, Just Joy
This stage is intuitive and forgiving:
- don't be afraid to make mistakes - you can always paint over it
- let your imagination guide you. Play with tone, pattern, and texture
- this is your opportunity to express your story, your taste, your vibe.
I'll finish my vase with some highlighting and maybe draw on leaf-like veins or floral lines with my favourite paint pens. You can go as minimal or as decorative as you like.
Let it all dry fully before moving or filling it. And then, you've got your finished, hand-built, hand-painted, completely personal vase.
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Your Instructor
Freya Bramble-Carter
Contemporary ceramicist
Freya is a ceramicist based in East London. She studied fine art at Chelsea College of Arts while also learning the craft of clay under the guidance of her father, Chris Bramble, a ceramic artist and teacher with over 30 years of experience with whom she shares studio space at Kingsgate Workshops in London. Freya creates tableware as well as larger sculptural vases. Her work incorporates contemporary designs, strongly inspired by the ethos of beauty and nature.
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