How to achieve pattern and detail
with KATHARINE AMIES
Lesson 14 of 16
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During this course, you’ll have spent a lot of time perfecting your ability to create the illusion of form within your painting. This is an incredibly important building block for learning the next skill; adding in pattern and detail.
From the Lesson Workbook
How to Achieve Pattern and Detail
We've spent a lot of time on how best to create the illusion of form within your painting, which is an incredibly important building block for learning the next skill; adding in pattern.
Painting Pattern and Detail
The key to adding pattern and detail to your painting is always building up a really solid form first - a technique we've practised extensively throughout this course.
I'll be using a conference pear to demonstrate how to incorporate pattern within your painting; I would recommend choosing a small one with a nice stalk.
Capturing a Conference Pear
Step 1
Position your specimen and draw its outline onto a piece of paper. Rub away the pencil marks until they are faint.
Step 2
Mix a pale green, and apply it all over your pear and stalk - remember to keep your highlight zones paler and build up areas of shadow on the right side and around the edges. Maintain a dry brush, and work in sections to avoid getting your paper too wet.
Step 3
Red can be used to create darker areas, while light washes of pale yellow can lift areas that you want to read brighter.
Step 4
Create depth within the stalk by adding areas of Burnt Umber and Burnt Sienna to your pale green wash.
Step 5
Once you have created a really solid form, you're ready to add in the detail. Start by applying a very pale brown, and gradually build up to darker hues in the more shaded areas.
- Don't be afraid to manipulate what you are seeing in order to create a more pleasing painting. For example, you want to avoid any heavy areas of detail within your highlight zone - so either ignore these, or adjust their placement.
- First add detail to the darker side of your painting, as it's easier to rectify should you go wrong.
- Have a go at adding dots with a really dry brush.
- Painting pattern and detail can be a slow process, so be patient and allow yourself plenty of time.
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Katharine Amies
Leading British botanical artist
Katharine Amies is a leading British botanical artist. Katharine's work seeks to capture the intimate essence of plants in a manner that photographs, despite their detail, fail to convey. Katharine trained at the Chelsea Physic Garden in 2000. Her work is represented in the Shirley Sherwood Collection of Botanical Art at Kew Gardens which is the largest collection of contemporary botanical art in the world.
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