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Jun 10, 2026
Handsewn Lampshade Masterclass
with CHLOE JONASON — Designer and soft furnishing expert specialising in vintage textiles and hand-crafted homewares.
Lesson 4 of 21
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Deciding on the materials you want to use in your project is an incredibly fun process, but there are some limitations to the sorts of fabrics you can use in order to achieve the very best results. In this lesson, Chloe shows you what she likes to use, and provides a guide for you to source your own.
Deciding on the materials you want to use in your project is an incredibly fun process, but there are some limitations to the sorts of fabrics you can use in order to achieve the very best results. In this lesson I'll show you what I use, and provide a guide for you to source your own.
Generally speaking, a lining fabric should be lightweight and have good transparency.
Below are the different types of lining I like to use for my various projects, but these are just suggestions and I would encourage you to be guided by what appeals to you and the look you want to create.
Complements the natural fabrics I gravitate towards, and gives a great result when used as a hand-pleated lining. It has a subtle stretch, meaning it's easy to work with.
I use this when I want my lampshade to provide more of an emphasised golden glow. It is also slightly stiff and less malleable than the off-white slubby linen.
Very readily available and cost effective. It has a good stretch, so works particularly well with the technique of balloon lining.
Creates an elegant and refined look, and gives the lampshade a soft, warm light. Tends to be more expensive.
These can be really fun to experiment with, and will offer a darker and more moody glow.
In order to successfully make a gathered fabric lampshade, you will require quite a specific type of fabric.
It needs to be very lightweight in composition so that the gathering can be effective and neat. It should also be slightly transparent as you also want the light to be able to flow through the fabric and give off a pretty glow.
Fabrics that work well:
Fabrics to avoid:
A really important part of my design ethos is reusing and repurposing existing fabrics, and avoiding buying new where I can.
There are so many beautiful fabrics already available in the world, and sourcing something vintage means it will be truly unique and bespoke to you.
As well as looking in antique markets and haberdasheries, you can explore your own wardrobes and consider recycling an old scarf or dress you no longer wear.
In my own work I'm particularly drawn to vintage saris; I love their jewel colours, unique patterns and their antique nature gives them a faded elegance. Their silky consistency is also perfect for making gathered fabric lampshades.
Merchant & Mills
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Butter's creativity is stunning! Her ability to incorporate brilliance in small gardens is magical!
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May 30, 2026
Your Instructor
Designer and soft furnishing expert specialising in vintage textiles and hand-crafted homewares.
Chloe is a designer and textile artist, specialising in upholstery, soft-furnishings, vintage textiles and unique objects for the home. Chloe's fascination with the art of hand sewing was ignited at University when studying History of Art, after which she embarked on a career rooted in furniture and soft furnishing making. In 2015, she founded her eponymous design business - based out of her studio in the South Lincolnshire countryside - where she crafts bespoke homewares and handmade lampshades using colourful vintage fabrics and carefully curated textiles sourced from across the globe.
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