An Introduction to Decorative Painting

A painted lampshade - Part 3 - Preparing to paint

with TESS NEWALL — Hand-painted details bring warmth, soul, and story into a space. They make a home feel alive.

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With your design finalised, it’s time to start thinking about how exactly you will translate this onto your lampshade.

From the Lesson Workbook

Part 3 - Preparing to Paint

With your design finalised, it's time to start thinking about how exactly you will translate this onto your lampshade.

Getting Ready

You Will Need:

  • A lampshade
  • A card lampshade is best
  • Fabric tape measure
  • Pencil
  • I recommend a 2H pencil for the lightest marks

Step 1

Pick up your lampshade and get a feel for how you might want to hold it when painting it - you want to try and hold the lampshade by its frame as much as you can while painting. Familiarise yourself with your design and start to envision which element you'll start with and how you'll place it.

Step 2

It's a good idea to measure out key placements within your design using a fabric tape measure and a 2H pencil. This could include the size and placement of a repeat pattern such as a scallop. To do this, you measure the diameter of the area you are painting, then divide it by the width you want the motif to be; a scallop in this instance. It may also be worth marking the height.

Step 3

Even if you're painting free-hand, it can still be helpful to measure the parameters of different sections within your design to ensure they remain consistent all the way around your lampshade.

Step 4

It can be helpful to work out which colours you are painting first; sometimes certain elements of a design dictate others so you will need to paint these at the start.

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Tess  Newall

Your Instructor

Tess Newall

Hand-painted details bring warmth, soul, and story into a space. They make a home feel alive.

Tess Newall is a decorative artist based in Sussex, specialising in hand-painted bespoke murals and furniture. Following a decade of experience as a set designer and painter in the film industry, Tess has mastered how to bring a creative vision to life. She often draws on historic patterns and aims to capture an artisanal feel, where textures and brushstrokes add to the atmosphere of a room or to the character of a furniture piece. Tess and her studio team work with interior designers and private clients on bespoke commissions for both commercial and residential projects, as well as collaborating on homewares collections with brands including Liberty and Matilda Goad.

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