Small Garden Design

The finished courtyard garden - part 2

with BUTTER WAKEFIELD — Leading British garden designer

Lesson 24 of 25

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Butter explains how lanterns and well-placed pots help Jack’s courtyard garden to really shine.

From the Lesson Workbook

The Finished Courtyard Garden - Part 2

This garden is lit with seven lanterns, a charming light above the shed door and a weighted pond light that sits at the bottom of the water in the antique limestone trough and illuminates the water from below.

In order to create an even balance of light around the circumference of the garden, the lights ideally need to be opposite one another and go all the way around the garden so that there are no dark pockets. Personally, I find the best effect is achieved when lights are placed at a height of around 1.8 metres off the ground.

Try and think about garden lighting at the very beginning of your project, as you will need to install any electricity supplies first and this may require some time-consuming work.

Working with mirrors will also give your garden a magical effect. We place antique mirrors and trellis behind our water features so that the water reflects back off the mirror.

The Dovecote

It was Jack's idea to install a dovecote somewhere in the garden to add more architectural interest to the space, and we finally settled upon hanging it above the water feature. Its placement here helps to draw the eye up and extends the garden beyond eye level.

Putting Interest at Ground Level

I really don't like bare soil in a garden, and it's not something that occurs in nature either. To combat areas of bare earth in Jack's garden, we covered the base of his Acer tree with round beach cobbles and planted some ferns and a creeping evergreen perennial called 'mind your own business'.

This creates interest at even the lowest level of the garden and means that no space goes to waste.

Pot Placement

I chose to use large terracotta pots in Jack's garden and I've placed them in an asymmetrical layout in two opposite corners of the garden.

I always recommend having one or two oversized pots in a garden, as well as a number of smaller pots, as it's simply more interesting to look at and helps to create a sense of scale within the space.

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Rated 4.7/5 on Trustpilot

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Very good tutorial from a professional garden...

I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...

Louise Brown

Apr 10, 2026

Time spent well

I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an ...

Wellesley

Apr 1, 2026

What a great investment

What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagi...

sojojo

Mar 30, 2026

I loved this course with Amanda\u2026

I loved this course with Amanda Lindroth! Her approach to decorating is so relaxed and she makes it feel attainable. She explains the reasons behind her decisions...

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Mar 27, 2026

Butter Wakefield

Your Instructor

Butter Wakefield

Leading British garden designer

Butter Wakefield has been a distinguished garden designer for over 20 years. In 2016, she established her eponymous studio, combining her expertise in interiors with her passion for gardening. Butter's unique ability to connect outside spaces with interiors has made her a sought-after designer, particularly known for her love of city gardens. With over 15 years of experience, Butter has crafted numerous inspirational and purposeful gardens of various sizes in London and beyond.

Her journey into garden design began at the English Gardening School (1997/98), where she completed the Year Diploma Course in Plants and Plantsmanship, winning two prizes. Butter further honed her skills at the London College of Garden Design (2013/14), graduating with a Merit Commended. Before venturing into garden design, she worked as an interior design assistant at Colefax and Fowler on Brook Street. Here, she developed a deep appreciation for scale, texture, pattern, colour, and the core principles of design.

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