Very good tutorial from a professional garden...
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
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In this video, Butter introduces you to the garden of her client, Rita Konig. She also shows you how she uses mood boards in the design process and works with her clients to select plants.
Now that I've shown you how I designed my own garden, I'm going to show you how I planned and designed the garden of my client, Rita Konig. Rita was heavily involved in the creative process and was an absolute joy to work with from beginning to end.
One of the biggest design choices we made in this garden was to change the position of the garden gate. The gate originally led visitors from a side street, right into the beating heart of the garden, which felt like quite a public way to enter a private space.
We also removed two low-grade trees, which were small enough to remove without having to apply for planning permission.
One of the key things that Rita wanted was for us to create a sense of privacy along the northern boundary of her garden. There were already a lot of climbers along this boundary wall, which were doing quite a good job of blocking an overlooking tower block, but to improve things further we wanted to create more height in this area of the garden.
In order to do this we added in five more Crataegus persimilis 'Prunifolia Splendens'. We added these in a zig-zag formation to create a more natural shape within the garden. In our initial conversation with Rita she was very clear that she didn't want to see any bare soil in her garden, she wanted it to feel full and luscious, so this is something that we really focused on in our design work.
We agreed with Rita to try and keep the carbon footprint of the garden as low as possible, so we are using only reclaimed stone for the hard standing areas and we are securing them in the ground without using concrete.
Rita's house and garden has a North/South aspect which I have marked on our site drawing, along with the scale which is 1 to 50 on A3. Walking through her garden takes you to the main entryway to her house and also to her new studio.
When we discussed the brief, Rita told us that she wanted enough hard standing so that she could have a good seating area, which included pouffes for her dogs, as well as seating for the humans.
The longest vista in the garden is the view from Rita's studio, so it was really important for us to create a beautiful view for Rita to look out onto as she sits at her desk. At the end of this walkway we will put Rita's beautiful antique table and chairs, and behind these will be a new garden shed for Rita to keep all of her garden tools.
We kept Rita's original Acer, which we protected throughout the build process. Below the existing trees and the Crataegus persimilis 'Prunifolia Splendens' that we planted, Rita asked us to create a solid evergreen screen from her trellis to ground level. This would create more privacy along the northern boundary, so in order to achieve this we planted Camellia sasanqua 'Cleopatra', which is one of the early flowering Camellias, which flower from December to February.
In front of the camellias, we've planted some clipped carpinus and yew shapes to create some big, bold structure within the garden. Below this we then added in some pink flowering hydrangeas and shrub roses and below these, some shade-loving perennials.
If you're looking for planting inspiration, then Pinterest is a great place to discover new plants and gather together images of the sort of plants and colourways that you like.
The plans for Rita Konig's garden can be found here.
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437 reviews
Read moreI have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an ...
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagi...
sojojo
Mar 30, 2026
I loved this course with Amanda Lindroth! Her approach to decorating is so relaxed and she makes it feel attainable. She explains the reasons behind her decisions...
Elizabeth
Mar 27, 2026
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She has a lovely personality and comes across as ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an absolute must, best I've ever done.
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagination on TV to learning and expanding my kno...
sojojo
Mar 30, 2026
Your Instructor
Leading British garden designer
Butter Wakefield has been a distinguished garden designer for over 20 years. In 2016, she established her eponymous studio, combining her expertise in interiors with her passion for gardening. Butter's unique ability to connect outside spaces with interiors has made her a sought-after designer, particularly known for her love of city gardens. With over 15 years of experience, Butter has crafted numerous inspirational and purposeful gardens of various sizes in London and beyond.
Her journey into garden design began at the English Gardening School (1997/98), where she completed the Year Diploma Course in Plants and Plantsmanship, winning two prizes. Butter further honed her skills at the London College of Garden Design (2013/14), graduating with a Merit Commended. Before venturing into garden design, she worked as an interior design assistant at Colefax and Fowler on Brook Street. Here, she developed a deep appreciation for scale, texture, pattern, colour, and the core principles of design.
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