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Garden & Landscape Photography Masterclass

Shooting in harder light

with JASON INGRAM — UK's leading garden and landscape photographer. Garden Media Guild 'Photographer of the Year'.

Lesson 20 of 27

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Learn how to take the perfect plant portrait. Jason also offers tips on controlling the natural light to enhance your shot.

From the Lesson Workbook

Shooting in Harder Light

For the third composition of the day, we'll be looking at shooting a plant portrait. It's later in the morning now, so the sun is much higher in the sky and the light is quite harsh - but you should work with these elements, not against them.

Choosing Your Plant

Before you even set up your camera, spend some time working out exactly which plant you want to photograph. Ideally you want it to be backlit, and in an area that's sheltered from the wind.

Settings

As I'll be going much tighter for this plant portrait, I am using a 105mm macro lens. The light is stronger now, so I can use a faster shutter speed. I want the background to be quite soft, so I will go for an aperture of around F/8, but I will also experiment with F/5.6 and F/3.5. When it comes to shooting, I'll be off the tripod, but it's handy to still set it up as you can clamp reflector cards to it.

Changing Lenses

Whenever you're changing lenses, always make sure to do so quite quickly to reduce the chances of any dirt or dust getting into the camera itself.

Shooting on Semi-Automatic

I have been operating the camera manually until this point, but now I want parts of it to work semi-automatically. I set my camera to auto ISO, with an aperture priority of F/8, and allow the shutter speed to compensate - dictating a minimum speed of 1/125 to avoid camera shake.

Using a Reflector

Your reflector card can be as simple as a piece of white card or foam, and it helps to fill in the shadows between the plants. Hold it in your hand and move it around to find the perfect position, and then use a plamp and your tripod to keep it in place. If you need something harder, you could use a reflector with a metallic finish instead.

Using a Diffuser

When the light is strong, you may find you need to use a diffuser as well as a reflector. The diffuser I use is purpose-built for photography, with a translucent scrim attached to a frame. Position it between the light source and your subject matter to soften the light, and get it as close to your subject as you can.

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Rated 4.7/5 on Trustpilot

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Very good tutorial from a professional garden...

I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...

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Apr 10, 2026

Time spent well

I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an ...

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Apr 1, 2026

What a great investment

What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagi...

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Mar 30, 2026

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Jason Ingram

Your Instructor

Jason Ingram

UK's leading garden and landscape photographer. Garden Media Guild 'Photographer of the Year'.

Jason Ingram is an award-winning garden photographer based in Bristol. He travels widely photographing gardens, plants and people for the UK’s leading magazines and provides photography for numerous best selling gardening books by top international garden designers. In 2022, 2021, 2020, 2019, 2014 and 2013 he was awarded ‘Garden Photographer of the Year’ by The Garden Media Guild and ‘Features Photographer of the Year’ in 2019 and 2016. For his personal work, Jason has been photographing the landscape and coastline of Britain for over 25 years, and in 2008 was awarded ‘Landscape Photographer of the Year’ for "Living the View" category. Jason lectures on his work and teaches in-person garden photography courses. His work is held in numerous private collections and he receives regular commissions from HM King Charles III to photograph his private estate at Highgrove, as well as Piet Oudolf’s garden at Hauser & Wirth gallery in Somerset.

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