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Garden & Landscape Photography Masterclass

Shooting the sunset

with JASON INGRAM — UK's leading garden and landscape photographer. Garden Media Guild 'Photographer of the Year'.

Lesson 16 of 27

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It’s now time to create the image that was pre-visualised earlier on in the day. Jason takes you through his process, revealing how he uses different exposures across lots of images to give him the material he needs to create the best possible image in post-production.

From the Lesson Workbook

Shooting at Sunset

We're back at the first location, and it's time to create the image we pre-visualised and set up earlier on in the day.

In My Kit

  • Camera
  • 24-70mm lens
  • Tripod
  • Neutral density graduated filter
  • Cable release

In This Lesson You'll Learn To:

  • bracket your exposure
  • identify shots that may work well when combined together in post-production, a process called 'comping'
  • use a higher F stop to get front to back sharpness

Recommended Previous Lessons:

  • the exposure triangle
  • understanding cameras and lenses
  • using exposure creatively

Using Your Settings

Ensuring your neutral density filter is clean and in the correct position is key, especially when shooting a sunset. To achieve front-to-back sharpness, I'm shooting at F/16 with an ISO 64 and shutter speed of 1/15. A longer exposure will help to smooth out the appearance of the water. My focus point is the Rotunda.

Bracketing

Bracketing involves taking the same image at a range of exposures from dark to light. Start with the darker end, and go for two stops under your correct exposure, then one stop; take a shot at your correct exposure and then one stop past this for the lighter end.

This is useful when it comes to processing, as you may need to blend a few different exposures together. However, the neutral density graduated filter should hopefully negate the need for this.

Don't forget to review your images as you go, and to check the histograms. In reviewing your images, you might find a few frames you particularly like, but may discover a need to take a different exposure to blend them with. For example, there might be a shot with beautifully dramatic shadows but too much flare. In this instance, you can take a softer exposure, and blend the two in processing.

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Rated 4.7/5 on Trustpilot

437 reviews

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Very good tutorial from a professional garden...

I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...

Louise Brown

Apr 10, 2026

Time spent well

I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an ...

Wellesley

Apr 1, 2026

What a great investment

What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagi...

sojojo

Mar 30, 2026

I loved this course with Amanda\u2026

I loved this course with Amanda Lindroth! Her approach to decorating is so relaxed and she makes it feel attainable. She explains the reasons behind her decisions...

Elizabeth

Mar 27, 2026

Jason Ingram

Your Instructor

Jason Ingram

UK's leading garden and landscape photographer. Garden Media Guild 'Photographer of the Year'.

Jason Ingram is an award-winning garden photographer based in Bristol. He travels widely photographing gardens, plants and people for the UK’s leading magazines and provides photography for numerous best selling gardening books by top international garden designers. In 2022, 2021, 2020, 2019, 2014 and 2013 he was awarded ‘Garden Photographer of the Year’ by The Garden Media Guild and ‘Features Photographer of the Year’ in 2019 and 2016. For his personal work, Jason has been photographing the landscape and coastline of Britain for over 25 years, and in 2008 was awarded ‘Landscape Photographer of the Year’ for "Living the View" category. Jason lectures on his work and teaches in-person garden photography courses. His work is held in numerous private collections and he receives regular commissions from HM King Charles III to photograph his private estate at Highgrove, as well as Piet Oudolf’s garden at Hauser & Wirth gallery in Somerset.

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