Very good tutorial from a professional garden...
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
A Guide to Pigments, Paints & Palettes
with EDWARD BULMER — Award-winning interior designer, architectural historian, paint expert. House & Garden Top 100.
Lesson 18 of 24
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Edward leads you through the second half of his scheming process, explaining how to balance light and dark and how to bring fabric into your scheme.
The next step is to apply the palette you've created to a room.
Connecting spaces or rooms that you travel through are best served with a neutral palette, whereas it's worth going bolder with colour in rooms that you spend time in. Imagining that this is the scheme for an entrance hall, I have disregarded the options with too much colour.
If your starting point is particularly cold, colours with a touch of heat can help to warm up the space. Equally, if your starting point is hot, choose cooler tones to pare the overall look back a bit.
Colour schemes are a play between light and dark, and the contrast between the two. Consider which element you want to stand out, and balance the other elements to be slightly lighter. Imagining that this is the scheme for an entrance hall, I have disregarded the options with too much colour.
Using the same logic and continuing to think about tonality, experiment with bringing different fabrics to join your paint colours. Here, you can use the colour wheel to introduce an element of complementary contrast with your fabrics. For example, a kitchen painted blue may suit a yellow fabric blind.
As you build up, you can start to incorporate stronger pops of colour across different elements of the room. However, to achieve balance, you must always be conscious of the tonal palette you've established. By constantly supporting the tonality of your starting point, you will create a family of materials that will all be in dialogue.
With final colours and fabrics chosen, you can begin to decide exactly where each element will go. I personally think it's wise to keep an off-white within your palette, as this may be necessary for trims and woodwork. If you bring in other materials, keep referring back to the tonal palette you have created.
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437 reviews
Read moreI have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an ...
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagi...
sojojo
Mar 30, 2026
I loved this course with Amanda Lindroth! Her approach to decorating is so relaxed and she makes it feel attainable. She explains the reasons behind her decisions...
Elizabeth
Mar 27, 2026
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She has a lovely personality and comes across as ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an absolute must, best I've ever done.
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagination on TV to learning and expanding my kno...
sojojo
Mar 30, 2026
Your Instructor
Award-winning interior designer, architectural historian, paint expert. House & Garden Top 100.
Edward Bulmer is one of the UK’s leading interior designers and architectural historians, specialising in the restoration and decoration of historic buildings. After studying History of Art at university, Edward trained under legendary designer David Mlinaric CBE, as well as working for Alec Cobbe, and Gervase Jackson-Stops OBE, who was architectural advisor to the National Trust. Alongside running his own paint company, Edward Bulmer Natural Paint, Edward has led a highly successful design team for over 30 years, working on some of England’s greatest country houses as well as a range of private and commercial projects including Goodwood, the Tower of London, Chequers and the Arts Club.
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