Very good tutorial from a professional garden...
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
with ALEX DAULEY — Leading British interior designer
Lesson 5 of 23
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For the fourth and final stage of my 4-step process, it’s time to look at floor plans and how to translate your design into white modelling.
We have established via the design brief all of the main elements that the client wants to include in their new home. This information is vital for informing the floor plan.
When looking at the floor plan, you are looking at the flow between rooms and the ergonomics of the home. It will also help you to plot furniture placement, areas that require joinery and where you want to include any interior architecture.
The floor plan will likely have many iterations until you land on the very best solution in every room. Once the floor plan is finalised, you can now move on to the 3D white models.
For the fourth and final stage of my 4-step process, we are focusing on floor plans and white modelling.
At my studio, we always create 3D white models of the interior architecture to give the client a tangible sense of how the design will look in reality. Often clients can struggle to visualise how a room might look, so this stage can be incredibly useful.
Just as the name describes, the 3D models are made entirely in shades of white and don't give any representation of material or colour. They are purely to convey layout, furniture placement and interior architecture detailing.
These 3D white models are created by importing the architect's CAD model into a program called 'SketchUp', which enables you to develop these 3D images. This is a relatively easy programme to get to grips with, so if you haven't already started with it, get stuck in!
At this stage, nothing is final, and you may find yourself creating multiple options before landing on the final decision.
3D white models can also be invaluable when costing up inbuilt furniture and joinery designs.
When explaining FF&E to my clients (an acronym for fixtures, fittings and equipment), I ask them to visualise picking up their house and turning it upside down. Anything that falls out comes under FF&E, and anything that remains fixed is classed as interior architecture.
FF&E encompasses items such as lamps, rugs, furniture, accessories whereas interior architecture is joinery, built-in furniture, kitchens and bathrooms.
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437 reviews
Read moreI have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an ...
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagi...
sojojo
Mar 30, 2026
I loved this course with Amanda Lindroth! Her approach to decorating is so relaxed and she makes it feel attainable. She explains the reasons behind her decisions...
Elizabeth
Mar 27, 2026
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She has a lovely personality and comes across as ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an absolute must, best I've ever done.
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagination on TV to learning and expanding my kno...
sojojo
Mar 30, 2026
Your Instructor
Leading British interior designer
Alex Dauley is a powerhouse in the world of interior design. Entering the industry as a second career, she quickly and confidently established her own space, offering clients a seamless, end-to-end design service. In 2020, she joined forces with acclaimed designer Sophie Ashby to co-found United in Design, a pioneering initiative dedicated to driving inclusivity and diversity within the design industry. Alex's design approach is rooted in storytelling, vision, and purpose. Known for her refined aesthetic and intuitive understanding of her clients’ needs, she creates interiors that are not only beautiful but deeply personal, transforming everyday spaces into meaningful sanctuaries. As an advocate for greater representation in design, Alex continues to inspire innovation and cultural change. Her leadership was recognised with a prestigious Black British Business Award in 2021, affirming her impact both within and beyond the creative world.
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