Very good tutorial from a professional garden...
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
The Complete Floristry Masterclass
with WILLOW CROSSLEY — World-renowned florist, author and designer, known as the UK’s ‘Queen of Flowers’.
Lesson 20 of 43
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Willow explains why tulips are often overlooked, and then walks you through an arrangement that brings them to life.
In this lesson, I use Francoise, Raspberry Ripple, Apricot Pride, Spring Green, Flaming Club and Belle Epoque tulips, all sourced from the Land Gardeners.
I would really recommend buying locally grown tulips. Go for it and abandon the rules when putting tulips together. I recommend buying galvanised chicken wire, which acts as a structure helping to position the tulips. As a general rule, the bigger the arrangement the wider the pot tape you want.
In my experience tulips are the most thirsty of all the cut flowers. Keep topping up your water levels and checking them. Think carefully about where the arrangement is going to go.
I start with the biggest and strongest tulips and create a structure. It's important to condition your flowers beforehand and lay them out in families. Play about and have loads of different heights when arranging. This makes an arrangement look very wild and natural.
For smaller events, I buy locally, but for larger events I buy from Holland. Colour-wise you want your main flower to be an odd number so one, three, five, seven. You always want to think about covering the neck of a vase, so you don't want to see it.
I recommend erring on the side of caution and cutting the tulips longer. When making arrangements on colour, it's good to choose tonal variations to avoid it looking flat. Use negative space, don't feel like you need to fill every hole with a flower.
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437 reviews
Read moreI have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an ...
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagi...
sojojo
Mar 30, 2026
I loved this course with Amanda Lindroth! Her approach to decorating is so relaxed and she makes it feel attainable. She explains the reasons behind her decisions...
Elizabeth
Mar 27, 2026
I have subscribed to access all the courses so have watched one on interior design and this one with Butter Wakefield who specialises in small garden design. She has a lovely personality and comes across as ...
Louise Brown
Apr 10, 2026
I love CreateAcademy. I came in for the gardening and floristry courses, but am also watching an interior design one at present. And the photography course is an absolute must, best I've ever done.
Wellesley
Apr 1, 2026
What a great investment, I have learned such a lot from the first three courses. My evenings have gone from not being able to find anything that captured my imagination on TV to learning and expanding my kno...
sojojo
Mar 30, 2026
Your Instructor
World-renowned florist, author and designer, known as the UK’s ‘Queen of Flowers’.
Willow Crossley is a professional floral stylist, creating wild and whimsical arrangements full of colour, pattern and movement for an array of top British brands (Jo Malone, OKA). She is the author of four books and is regularly featured in House & Garden and many other publications. Willow is passionate about the profound impact nature can have on how we feel, and has gained a substantial following for her down-to-earth and inclusive approach to floristry and gardening. Willow firmly advocates a sustainable approach to floristry, working with the seasons and sourcing locally grown stems wherever possible.
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